‘Blue Paco’, acrylic on canvas board, 14×11
’The afternoon sun effect at Port Renfrew’, oil on canvas, 20×16
‘A log house in Sooke’, acrylic on canvas board, 10x
’The perfect lake’, acrylic on canvas, 16×16
‘Pink genie’, acrylic on canvas board, 10×8
‘Many facets of human existence’, acrylic on deep canvas, 12×12
’Trojan horse’, acrylic on deep canvas, 12×12
‘Golden pine’, acrylic on deep canvas, 30×24
Quiet Impressionism
Artist Statement
I am an artist with many years of experience who opened up with her work in recent years. I have exhibited my work locally in numerous group and few solo exhibitions and my art is owned by many collectors around the globe. I’ve been Exhibiting Member of the Federation of Canadian Artists since October 2022, a member of Burnaby Artists Guild, South Delta Artists Guild, New West Arts a member of few other guilds, groups and societies across Metro Vancouver.
I live in Burnaby, British Columbia. The vast and colourful heritage of my old European homeland gave me the basis of who I am today and living in North America has enriched my vision. I love colours and the effect they have on our emotions. My goal as an artist is to tell you what I see and feel through paint.
I use acrylic and oil as mediums and express myself through a style that I call Quiet Impressionism — a style that blends the emotional light of Impressionism with the grounded presence of soft realism.
Defined by subtle movement, atmospheric light and thoughtful brushwork, Quiet Impressionism brings focus to the in-between: the hush of a room, the pause in a gaze, the stillness of a landscape, the inner life of an animal. Whether painted in natural tones or expressive palettes, the goal is not spectacle — but presence. It is impressionist in light and feeling and realist in form and soul.
I also create abstracts that are dynamic meditations on the natural and emotional worlds. Rooted in my typical style these works balance energetic mark-making with an underlying sense of calm. Layers of colour, texture and spontaneous line converge to create dreamlike topographies — maps of memory, movement and inner landscapes.
My palette shifts with mood and season — from cool watery blues and greens to warm bursts of vermilion, ochre and sunlit gold. The line work weaves a narrative through each painting, offering a visual language that feels ancient and personal — all at once.
These abstract works are not meant to be decoded but felt. They offer no single interpretation — only an invitation to wander through layers of wonder.
